This Must Be the Place: Costa Award Shortlisted 2016
Subjects, Maggie O'Farrell
This Must Be the Place: Costa Award Shortlisted 2016 par Maggie O'Farrell ont été vendues pour EUR 8,90 chaque exemplaire. Le livre publié par Tinder Press. Il contient 512 pages et classé dans le genre genre. Ce livre a une bonne réponse du lecteur, il a la cote 4.6 des lecteurs 474. Inscrivez-vous maintenant pour accéder à des milliers de livres disponibles pour téléchargement gratuit. L'inscription était gratuite.
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This Must Be the Place: Costa Award Shortlisted 2016 Maggie O'Farrell pdf english - This Must Be the Place: Costa Award Shortlisted 2016 a été écrit par Maggie O'Farrell qui connu comme un auteur et ont écrit beaucoup de livres intéressants avec une grande narration. This Must Be the Place: Costa Award Shortlisted 2016 a été l'un des livres de populer sur 2016. Il contient 512 pages et disponible sur format . Ce livre a été très surpris en raison de sa note rating et a obtenu environ avis des utilisateurs. Donc, après avoir terminé la lecture de ce livre, je recommande aux lecteurs de ne pas sous-estimer ce grand livre. Vous devez prendre
This Must Be the Place: Costa Award Shortlisted 2016 que votre liste de lecture ou vous serez regretter parce que vous ne l'avez pas lu encore dans votre vie.Rang parmi les ventes Amazon: #19654 dans LivresPublié le: 2017-04-20Langue d'origine: AnglaisNombre d'articles: 1Dimensions: 7.72" h x 1.30" l x 5.31" L, Reliure: Broché512 pagesExtraitThis Must Be the PlaceMaggie O'FarrellThe Strangest Feeling in My LegsDanielDonegal, 2010There is a man. He’s standing on the back step, rolling a cigarette. The day is typically unstable, the garden lush and shining, the branches weighty with still-falling rain. There is a man and the man is me. I am at the back door, tobacco tin in hand, and I am watching something in the trees, a figure, standing at the perimeter of the garden, where the aspens crowd in at the fence. Another man. He’s carrying a pair of binoculars and a camera. A -bird--watcher, I am telling myself as I pull the frail paper along my tongue, you get them in these parts. But at the same time I’m thinking, -Really? -Bird--watching, this far up the valley? I’m also thinking, Where is my daughter, the baby, my wife? How quickly could I reach them, if I needed to? My heart cranks into high gear, -thud--thudding against my ribs. I squint into the white sky. I am about to step out into the garden. I want the guy to know I’ve seen him, to see me seeing him. I want him to register my size, my former -track--and--field--star physique (slackening and loosening a little, these days, admittedly). I want him to run the odds, me versus him, through his head. He’s not to know I’ve never been in a fight in my life and intend it to stay that way. I want him to feel what I used to feel before my father disciplined me: I am on to you, he would say, with a pointing finger, directed first at his chest, then mine. I am on to you, I want to yell while I fumble to pocket my cigarette and lighter. The guy is looking in the direction of the house. I see the tinder spark of sun on a lens and a movement of his arm that could be the brushing away of a hair across the forehead or the depression of a camera shutter. Two things happen very fast. The dog—a whiskery, leggy, slightly arthritic wolfhound, usually given to sleeping by the stove— streaks out of the door, past my legs, and into the garden, emitting a volley of low barks, and a woman comes around the side of the house. She has the baby on her back, she is wearing the kind of sou’wester hood usually sported by North Sea fishermen, and she is holding a shotgun. She is also my wife. The latter fact I still have trouble adjusting to, not only because the idea of this creature ever agreeing to marry me is highly improbable, but also because she pulls unexpected shit like this all the time. “Jesus, honey,” I gasp, and I am momentarily distracted by how shrill my voice is. “Unmanly” -doesn’t cover it. I sound as if I’m admonishing her for an -ill--judged choice in soft furnishings or for wearing pumps that clash with her purse. She ignores my high-pitched intervention—who can blame her?—and fires into the air. Once, twice. If, like me, you’ve never heard a gun report at close range, let me tell you the noise is an ear shattering explosion. Magnesium-hued lights go off inside your head; your ears ring with the three-bar high note of an aria; your sinuses fill with tar. The sound ricochets off the side of the house, off the flank of the mountain, then back again: a huge aural tennis ball bouncing about the valley. I realize that while I’m ducking, cringing, covering my head,the baby is strangely unmoved. He’s still sucking his thumb, head leaning against the spread of his mother’s hair. Almost as if he’s used to this. Almost as if he’s heard it all before. I straighten up. I take my hands off my ears. Far away, a figure is sprinting through the undergrowth. My wife turns around. She cracks the gun in the crook of her arm. She whistles for the dog. “Ha,” she says to me before she vanishes back around the side of the house. “That’ll show him.” My wife, I should tell you, is crazy. Not in a requiring-medication-and-wards-and-men-in-white-coats sense although I sometimes wonder if there may have been times in her past—but in a subtle, more socially acceptable, less ostentatious way. She -doesn’t think like other people. She believes that to pull a gun on someone lurking, in all likelihood entirely innocently, at our perimeter fence is not only permissible but indeed the right thing to do.Here are the bare facts about the woman I married: —She’s crazy, as I might have mentioned. —She’s a recluse. She’s apparently willing to pull a gun on anyone threatening to uncover her hiding place. I dart, insomuch as a man of my size can dart, through the house to catch her. I’m going to have this out with her. She can’t keep a gun in a house where there are small children. She just can’t. I’m repeating this to myself as I pass through the house, planning to begin my protestations with it. But as I come through the front door, it’s as if I’m entering another world. Instead of the gray drizzle at the back, a dazzling, primrose-tinted sun fills the front garden, which gleams and sparks as if hewn from jewels. My daughter is leaping over a rope that her mother is -turning. My wife who, just a moment ago, was a dark, forbidding figure with a gun, a long gray coat, and a hat like Death’s hood, she has shucked off the sou’wester and transmogrified back to her usual incarnation. The baby is crawling on the grass, knees wet with rain, the bloom of an iris clutched in his fist, chattering to himself in a satisfied, guttural growl.It’s as if I’ve stepped into another time frame entirely, as if I’m in one of those folktales where you think you’ve been asleep for an hour or so, but you wake to find you’ve been away a lifetime, that all your loved ones and everything you’ve ever known are dead and gone. Did I -really just walk in from the other side of the house, or did I fall asleep for a hundred years? I shake off this notion. The gun business needs to be dealt with right now. “Since when,” I demand, “do we own a firearm?” My wife raises her head and meets my eye with a challenging, flinty look, the skipping rope coming to a stop in her hand. “We don’t,” she says. “It’s mine.” A typical parry from her. She appears to answer the question without answering it at all. She picks on the element that isn’t the subject of the question. The essence of sidestepping. I rally. I’ve had more than enough practice. “Since when do you own a firearm?” She shrugs a shoulder, bare, I notice, and tanned to a soft gold, bisected by a thin white strap. I feel a momentary automatic mobilization deep inside my underwear—strange how this doesn’t change with age for men, that we’re all of us but a membrane away from our inner teenage selves—but I pull my attention back to the discussion. She’s not going to get away with this. “Since now,” she says. “What’s a fire arm?” my daughter asks, splitting the word in two, her small, heart-shaped face tilted up to look at her mother. “It’s an Americanism,” my wife says. “It means ‘gun.’” “Oh, the gun,” says my sweet Marithe, six years old, equal parts pixie, angel, and sylph. She turns to me. “Father Christmas brought Donal a new one, so he said Maman could have his old one.” This utterance renders me, for a moment, speechless. Donal is an -ill--scented homunculus who farms the land farther down the valley. He—and his wife, I’d imagine—have what you might call a problem with anger management. Somewhat trigger-happy, Donal. He shoots everything on sight: squirrels, rabbits, foxes, -hill walkers (just kidding).“What is going on?” I say. “You’re keeping a firearm in the house and—” “‘Gun,’ Daddy. Say ‘gun.’” “—a gun, without telling me? Without discussing it with me? Don’t you see how dangerous that is? What if one of the children—” My wife turns, her hem swishing through the wet grass. “Isn’t it nearly time to leave for your train?”Revue de presseA tour de force, a complex and nuanced story leaping effortlessly across multiple time frames... THIS MUST BE THE PLACE is that rare literary beast, both technically dazzling and deeply moving. It has all the structural and temporal playfulness of a Kate Atkinson novel while retaining the hallmark emotional insight for which O'Farrell has become renowned. It is her best novel to date, a book that surely confirms her as one of the UK's most assured, accomplished and inventive storytellers (Observer)A symphony of stories and voices... absolutely gripping... A rare talent to enthral... It will leave you bereft and wanting more (Sunday Times)Inventive, moving and hilarious. I loved it (Rachel Joyce)Beautifully executed; a graceful, insightful exploration of a relationship in all its wonders and woes (Mail on Sunday)Switching seamlessly between decades, destinations and voices, it's complex in scale, but is carried off with dazzling grace. A rich, engrossing feast of a novel to lose yourself in (Sunday Mirror)A magnificent novel that is perceptive, profound and page-turning in equal measures. There are few things I look forward to like a Maggie O'Farrell novel and she never disappoints (Cathy Rentzenbrink, author of The Last Act of Love)There is tragedy in the novel, but also sharp comedy, and O'Farrell, skilful as ever, plays with the novel form... In this rewarding and humane novel, O'Farrell brings alive the destructive effects of petty betrayals that affect everyone every day (Sunday Express)For all that it whizzed about across times zones and continents, it is seamless and each character is fantastic at the next (Metro)A new Maggie O'Farrell book is always a cause for celebration, but her seventh is so brilliant that you'll want to unfurl flags and put up bunting in her honour... Wonderfully written and absolutely addictive (Psychologies Magazine)I haven't read a Maggie O'Farrell novel I didn't love and This Must Be The Place might be her finest work yet... A beautiful, ambitious triumph (Red Magazine)Some books are for lingering over. Every sentence Maggie O'Farrell writes is so perfectly formed that you want to wallow in it. As a writer, she's perceptive, warm and particularly good at the nuances of family relationships. In This Must Be The Place, she casts her sharp but humane eye on a marriage in trouble (Good Housekeeping)Maggie O'Farrell's new novel is beautiful... [an] epic endeavour to build a portrait of a relationship in its whole, contrary and complex plurality... the reader is won over, and rapt (i Newspaper)She has, throughout her career, shown a willingness to experiment with form that many commercially successful writers wouldn't dare to do, as well as a willingness to explore difficult subject matter... epic and intimate (Herald)The result is dazzling, her most accomplished book yet (The National)Her best so far... epic but intimate too (Glamour)Exquisite... exceptionally accomplished and emotionally sophisticated'... 'O'Farrell is tremendously sure-footed at wrong-footing the reader (Scotsman)A complex, riveting novel of love and hope that grips at the heart... It will leave you bereft and wanting more (Sunday Times)One of the most enjoyable and satisfying books of the year (Daily Express)Deftly blurring the lines between holiday read and literary fiction, it's bound for the bestseller lists (Stylist)No character is wasted, no word misspent... The reach is dazzlingly epic, the tone addictively accessible. In awe. (Grazia)Fans will not be disappointed (The Times)O'Farrell's seventh novel is as captivating and as intricately written as her previous offerings (Closer)In the final pages, however, we are allowed to slow right down, to savour the culmination of everything that has come before, and to remember just how gifted a storyteller O'Farrell truly is (Irish Independent)A conjuror's sleight of hand... a deft and compelling chronicler of human relationships (Guardian)This Must Be The Place is her best yet ... At the heart of this smart, structurally interesting but never over-clever novel is the story of a relationship ... If she was a man she'd be Man Booker-shortlisted, as it is she'll have to settle for just being brilliant (The Pool)An utterly compelling story which loops between decades and the hearts of its characters with enormous warmth, wit and poignancy. (Isabel Costello)A magnificent novel that is perceptive, profound and page-turning in equal measures. There are few things I look forward to like a Maggie O'Farrell novel and she never disappoints (Cathy Rentzenbrink, author of The Last Act of Love)A tour de force, a complex and nuanced story leaping effortlessly across multiple characters and time frames... destined to be one of the most acclaimed books of 2016 (Hannah Beckerman, Author of The Dead Wife's Handbook)Présentation de l'éditeurA RICHARD AND JUDY BOOK CLUB PICK 2017SHORTLISTED FOR THE COSTA NOVEL AWARDA top-ten bestseller, THIS MUST BE THE PLACE by Maggie O'Farrell crosses time zones and continents to reveal an extraordinary portrait of a marriage. 'A complex, riveting novel of love and hope that grips at the heart' The Sunday TimesA reclusive ex-film star living in the wilds of Ireland, Claudette Wells is a woman whose first instinct, when a stranger approaches her home, is to reach for her shotgun. Why is she so fiercely protective of her family, and what made her walk out of her cinematic career when she had the whole world at her feet?Her husband Daniel, reeling from a discovery about a woman he last saw twenty years ago, is about to make an exit of his own. It is a journey that will send him off-course, far away from the life he and Claudette have made together. Will their love for one another be enough to bring Daniel back home?
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1 internautes sur 1 ont trouvé ce commentaire utile.O'FarrellPar SolsticeOK, j'avoue que je suis un quasi-inconditionnel de Maggie O'Farrell; je dirais cependant qu'elle a peut-être un peu abusé des intrigues entremêlées et des retours en arrière qu'elle affectionne. Cela dit, vous aurez du plaisir à le lire et j'attends le prochain avec impatience.
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